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DAN STRINGER

RANK SCORE ? GENRE LOCATION
8812 10 House, ProgressiveMontreal, CA Canada
DAN STRINGER

Dan Stringer has been involved in the Montreal underground music scene since 2002 and he began his DJ career at the very first ever North American Wet & Hard featuring Corvin Dalek and produced by House Of Sins Productions on March 13th, 2004. The success of the event led Dan to further explore his passion behind the decks and his early career was aided by his close relationship with his friend and partner in HOS, B Weiser, who turned out to be the most important influences of Dan's musical and mixing style.

His sound is an energetic and high-octane blend of Wet & Hard tracks, aggressive prog & techy house beats fused together to create a truly intense and exploding energy. Each performance is unique as Dan's talent for connecting with his crowd changes with each venue. He does, however, maintain consistency through his objective of delivering a "very intense energy set" throughout each performance.

Given a few tracks of warming up, Dan will challenge your taste and sense of what a Wet & Hard DJ should sound like. Few master the flow of seamless genre shifting within one set with such technical mastery. His techny roots and style are very present during his sets, but he can occasionally dip into the darker side of house music. He's also been known to execute sessions of straight ahead techno and hard techno without an ounce of deviation. Many factors contribute to where a set will go, but the final product won't be known, even to Dan, until the very end when it's over.

Club owners and promoters find it a pleasure to work with him because of his practical down to earth attitude about life and business. He best describes himself, with a smile, as "low maintenance" and is genuinely interested in the success of all parties involved during his performances. As Dan's popularity continues to quickly gain momentum, his reputation for consistency and artistry also continues to make its mark throughout the circuit scene.

 

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